Conviction was a Dick Wolf series that explored the work of the Conviction Integrity Unit, a division of the District Attorney's office in New York City dedicated to re-examining cases where there is a credible claim of wrongful conviction. The show focused on overturning miscarriages of justice.

Led by a former First Daughter, played by Hayley Atwell, the team tackled different cases each week, delving into past investigations and trials to uncover new evidence or errors that could free innocent people. It offered a unique 'reverse procedural' format.

While it didn't run for long, Conviction touched upon important themes of justice, doubt, and the fallibility of the legal system, adding another dimension to Dick Wolf's extensive portfolio of crime and legal dramas.

Deadline was a Dick Wolf production that delved into the world of newspaper journalism, specifically focusing on a team of investigative reporters at a fictional New York City daily. The show followed the journalists as they dug into stories, often intertwining their investigations with the legal system.

Starring Oliver Platt as a Pulitzer Prize-winning reporter, the series aimed to capture the fast-paced, often challenging work of journalism and its role in uncovering truth and holding power accountable. Like other Wolf shows, it drew inspiration from real-world events.

Though it had a short run, Deadline offered a different lens through which to view crime and justice – that of the press uncovering the facts rather than the police or lawyers directly involved.

Venturing beyond his signature Law & Order format early in his career, Dick Wolf also produced New York Undercover. This groundbreaking series stood out for being one of the first police dramas on American television to feature two minority leads.

Set in New York City, the show followed two undercover detectives, exploring not just their cases but also their personal lives, struggles, and cultural backgrounds. It incorporated R&B and hip-hop music prominently, giving it a distinct, contemporary feel that resonated with audiences in the 1990s.

New York Undercover tackled tough urban issues and offered a different perspective on police work, proving Wolf's ability to create compelling procedurals with diverse characters and settings.

The fourth, albeit shorter-lived, entry in the 'One Chicago' franchise, Chicago Justice shifted focus to the State's Attorney's office, mirroring the legal half of the original Law & Order but within the Chicago universe. It followed prosecutors and investigators as they navigated the complex legal system in the Windy City.

The show explored the courtroom battles and ethical considerations faced by those seeking justice, often featuring characters and storylines that originated or intersected with Chicago P.D. and Chicago Med. It provided a unique legal perspective within the established world.

Though it ran for only one season, Chicago Justice offered an interesting look at the prosecution side of Chicago's fight against crime and remains a part of the interconnected narrative woven by Dick Wolf's Chicago shows.

A direct spin-off from the successful FBI series, FBI: Most Wanted zeroes in on the Fugitive Task Force, a specialized unit dedicated to tracking and capturing the most notorious criminals on the Bureau's Most Wanted list. This show is all about the chase.

Led by a determined and skilled team, the series follows a different high-stakes manhunt each episode, often taking the agents across state lines. It provides a focused look at the intense investigative work and tactical operations required to apprehend dangerous fugitives.

While connected to the flagship FBI show, Most Wanted has its own distinct pace and feel, emphasizing the urgency and geographical breadth of fugitive recovery. It's a relentless pursuit that keeps viewers on the edge of their seats.

Dick Wolf expanded his procedural empire with FBI, taking the action to the Federal Bureau of Investigation's New York office. This series focuses on the elite agents who work tirelessly to keep the city and the country safe from major threats, from terrorism to organized crime.

The show distinguishes itself by highlighting the vast scope of the FBI's work, showcasing different divisions and types of cases than the street-level crimes often seen in other procedurals. It emphasizes teamwork and the intricate process of gathering intelligence and pursuing high-profile targets.

FBI delivers solid, compelling cases each week while building a strong ensemble cast whose personal lives add depth without overshadowing the procedural elements. Its success led to its own spin-offs, establishing another corner of the Dick Wolf universe.

Completing the original trifecta of the 'One Chicago' universe, Chicago Med brought the high-pressure environment of an emergency department to life. Set in the fictional Gaffney Chicago Medical Center, the series follows the dedicated doctors and nurses as they navigate life-and-death situations and complex ethical dilemmas.

While still featuring the signature Dick Wolf procedural structure, Med leans heavily into the emotional and human aspects of medicine. It explores the personal sacrifices made by medical professionals and the intense bonds formed under stress.

The show masterfully balances gripping medical cases with compelling character storylines, offering a different, yet equally intense, perspective within the interconnected Chicago world. The frequent crossovers with Fire and P.D. feel natural, reflecting how emergency services truly interact.

Emerging from the embers of Chicago Fire, Chicago P.D. plunged viewers into the gritty, often morally ambiguous world of the Chicago Police Department's Intelligence Unit. Led by the formidable Sergeant Hank Voight, this unit tackles the city's most challenging and dangerous crimes.

Unlike some procedurals, P.D. isn't afraid to explore the ethical compromises and personal tolls that come with fighting crime on the streets. The show delves into the complexities of its characters, their pasts, and the difficult choices they face daily.

Its intense action sequences and compelling character arcs make it a thrilling watch, and its strong ties to the other 'One Chicago' shows through crossovers further enrich its narrative landscape, showing the interconnectedness of the city's emergency services.

Chicago Fire kicked off the immensely popular 'One Chicago' franchise, shifting the focus from police work and law to the high-stakes world of firefighters, rescue squads, and paramedics in Chicago. It brought a raw, visceral energy to the screen, highlighting the bravery and camaraderie of first responders.

The show excels at portraying the intense physical and emotional demands of the job, from battling infernos to performing daring rescues. But it's the deep bonds and personal lives of the firefighters at Firehouse 51 that truly anchor the series, making you care deeply about their triumphs and struggles both on and off duty.

Its success paved the way for interconnected spin-offs, creating a shared universe where characters frequently cross over, adding layers of complexity and realism to the city's emergency services.

Stepping into the world of Dick Wolf's television universe means starting with the grandaddy of them all: Law & Order. This series didn't just entertain; it redefined the police procedural and legal drama genres for decades. Its signature 'dun-dun' sound effect is instantly recognizable, a testament to its cultural impact.

What made it revolutionary was its two-part structure: the first half focusing on the police investigation leading to an arrest, and the second half following the prosecution in court. This format, often inspired by real-life headlines (though fictionalized), provided a fascinating look at the entire justice process.

The rotating cast of detectives and assistant district attorneys kept the show fresh over its incredible 20-season run initially, allowing for different character dynamics and perspectives on crime and punishment. It's a true television institution that spawned a massive, successful franchise.